First, "there is no beginning and no end, and the aftertaste is endless." Second, "Looking at the view, from the top." (One is the rule of travel, which is a basic aesthetic principle of Chinese painting and Chinese gardens later, that is, the picture has neither a starting point nor an end point, and is presented as a whole; second, the creation and viewing of the painted pottery are in accordance with the "seeing and looking up". This Chinese way of viewing is also a basic rule that has been widely applied in poetry and painting.
Pottery is round, facing the square, and the figurative pattern focuses people's attention on one side, tending to form a focus and a fixed point. After the figurative pattern turns into abstraction, the whole pattern is wandering, facing the four sides, so that the four sides form a one-piece whole that has neither a starting point nor an end point. The painting of this painted pottery naturally becomes a moving scatter perspective, which allows you to enjoy the “step by step, face-to-face†appreciation around the painted pottery, and realize the “endless†meaning in the limited round surface of the painted pottery. . This "tour" is a basic aesthetic principle of Chinese painting and Chinese gardens.
Another characteristic of Chinese painted pottery different from other cultural pottery is that whether it is pots, pots, or bottles and cans, it is noticed by the above effect. For example, bottles and cans carefully take care of the pattern near the neck of the bottle before drawing the four-sided pattern, so that a harmonious pattern is formed when viewed from above. It can be seen that the creation and viewing of painted pottery is carried out in accordance with the Chinese view of “seeing and looking upâ€. This is also a basic rule that has been widely applied in poetry, words, paintings and architecture.
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